Design Arena

Design Arena

LeWitt Bench

Inspired by Sol LeWitt's instruction-based wall drawings.

This project was inspired by and initially based on lewitt_instructions by Maximal Margin, dated Oct. 15th, 2023. We're grateful to Maximal Margin for her invitation to build on her foundational work ♥️

Instruction-based Art

"Influenced by his time working in an architect's office, LeWitt would use assistants to produce three-dimensional works he called 'structures.' He wrote: 'An architect doesn't go off with a shovel and dig his foundation and lay every brick. He's still an artist.'"

Instead of executing the works of art himself, LeWitt comes up with an idea or plan for his art, usually a set of simple instructions—sometimes with line drawings. He then hands over the written plan to his assistants, and they construct the work.

— From Sol LeWitt's Concepts and Structures (National Gallery of Art)

Examples of Sol LeWitt instruction-based art generations by various AI models

Instruction-based art offers a rare opportunity to test models' ability to follow explicit, rule-based instructions—a core but often overlooked aspect of visual reasoning. We build upon Maximal Margin's 2023 study to explore how faithfully models execute instructions in the domain of visual art and reveal whether technical progress has led to genuine compositional improvement.

The resulting LeWitt-Bench is a crowdsourced, subjective benchmark that collects human consensus—a noisy but critical vector of measuring what makes "good art". A post-analysis will be conducted comparing live, subjective results against the verifiable domain of prompt adherence, marking a structured attempt to evaluate a non-verifiable task. Our motivation to create this benchmark can be found here.

About the Dataset

This benchmark includes 28 instruction-image pairs from Sol LeWitt's instruction-based art, sourced from Sol LeWitt: A Wall Drawing Retrospective, which comprises 105 of LeWitt's large-scale wall drawings spanning 1969 to 2007.

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#11

A wall divided horizontally and vertically into four equal parts. Within each part, three of the four kinds of lines are superimposed.

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#16

Bands of lines 12 inches (30 cm) wide, in three directions (vertical, horizontal, diagonal right) intersecting.

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#17

Four-part drawing with a different line direction in each part.

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#19

A wall divided vertically into six equal parts, with two of the four kinds of line directions superimposed in each part.

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#38

Tissue paper cut into 1½-inch (4 cm) squares and inserted into holes in the gray pegboard walls. All holes in the walls are filled randomly.

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#47

A wall divided into fifteen equal parts, each with a different line direction, and all combinations.

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#51

All architectural points connected by straight lines.

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#56

A square is divided horizontally and vertically into four equal parts, each with lines in four directions superimposed progressively.

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#85

A wall is divided into four horizontal parts. In the top row are four equal divisions, each with lines in a different direction. In the second row, six double combinations; in the third row, four triple combinations; in the bottom row, all four combinations superimposed.

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#88

A 6-inch (15 cm) grid covering the wall. Within each square, not straight lines in either of four directions. Only one direction in each square but as many as desired, and at least one line in each square.

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#142

A 10-inch (25 cm) grid covering the wall. An increasing number of vertical not straight lines from the left side and horizontal not straight lines from bottom to top, adding one line per row of the grid. All lines are spaced evenly based on the number of lines, filling the last row of each direction.

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#159

A black outlined square with a red diagonal line from the lower left corner toward the upper right corner; and another red line from the lower right corner to the upper left.

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#160

A black outlined square with a red diagonal line centered on the axis between the upper left and lower right corners and another red diagonal line centered on the axis between the lower left and upper right corners.

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#164

A black outlined square with a red horizontal line centered on the axis between the midpoint of the left side and the midpoint of the right side and a red diagonal line centered on the axis between the lower left and upper right corners.

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#237

The location of a trapezoid.

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#238

The location of a parallelogram.

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#274

The location of six geometric figures. (The specific locations are determined by the drafter.)

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#289

A 6-inch (15 cm) grid covering each of the four black walls. White lines to points on the grids. Fourth wall: twenty-four lines from the center, twelve lines from the midpoint of each of the sides, twelve lines from each corner. (The length of the lines and their placement are determined by the drafter.) (Detail: 4th wall only)

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#335

On four black walls, white vertical parallel lines, and in the center of the walls, eight geometric figures (including cross, X) within which are white horizontal parallel lines. The vertical lines do not enter the figures.

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#340

Six-part drawing. The wall is divided horizontally and vertically into six equal parts. 1st part: On red, blue horizontal parallel lines, and in the center, a circle within which are yellow vertical parallel lines; 2nd part: On yellow, red horizontal parallel lines, and in the center, a square within which are blue vertical parallel lines; 3rd part: On blue, yellow horizontal parallel lines, and in the center, a triangle within which are red vertical parallel lines; 4th part: On red, yellow horizontal parallel lines, and in the center, a rectangle within which are blue vertical parallel lines; 5th part: On yellow, blue horizontal parallel lines, and in the center, a trapezoid within which are red vertical parallel lines; 6th part: On blue, red horizontal parallel lines, and in the center, a parallelogram within which are yellow vertical parallel lines. The horizontal lines do not enter the figures.

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#386

Stars with three, four, five, six, seven, eight, and nine points, drawn with a light tone India ink wash inside, an India ink wash outside, separated by a 6-inch (15 cm) white band.

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#391

Two-part drawing. The two walls are each divided horizontally and vertically into four equal parts. First wall: 12-inch (30 cm) bands of lines in four directions, one direction in each part, drawn in black India ink. Second wall: Same, but with four colors drawn in India ink and color ink washes.

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#419

The wall is bordered and divided horizontally and vertically into four equal parts with a 6-inch (15 cm) black ink band. Each quarter has alternating parallel 6-inch (15 cm) bands of white and color ink bands. Upper left: gray; upper right: yellow; lower left: red; lower right: blue.

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#462

On four walls, one room, arcs 4 inches (10 cm) wide, from the midpoints of four sides, drawn with alternating bands of gray and black ink wash (Detail: three walls).

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#630

A wall is divided horizontally into two equal parts. Top: alternating horizontal black and white 8-inch (20 cm) bands. Bottom: alternating vertical black and white 8-inch (20 cm) bands.

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#631

A wall is divided into two equal parts by a line drawn from corner to corner. Left: alternating diagonal black and white 8-inch (20 cm) bands from the lower left. Right: alternating diagonal black and white 8-inch (20 cm) bands from the upper right.

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#797

The first drafter has a black marker and makes an irregular horizontal line near the top of the wall. Then the second drafter tries to copy it (without touching it) using a red marker. The third drafter does the same, using a yellow marker. The fourth drafter does the same using a blue marker. Then the second drafter followed by the third and fourth copies the last line drawn until the bottom of the wall is reached.

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#901

Color bands and black blob. The wall is divided vertically into six equal bands; red; yellow; blue; orange; purple; green. In the center is a black glossy blob.

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Creator positions are randomized for each instruction to prevent bias